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Broadcasters in France, Belgium and Slovenia employed technology from the company to power virtual studios as part of their coverage of last month's FIFA...
As the media tech industry returns to work in 2023, we asked a selection of key industry executives for their perspectives on what technologies...
The move to virtual production is being driven by a need to lower production costs, improve timelines, and overcome the limitations of physical production...
Unilumin's LED volumes have been used on The X Factor and Sky TV’s sport studio
The stage where It's A Wonderful Life was shot has been turned into a virtual production volume by Amazon
The new studio's LED stage technology is powered by ROE Visual Ruby LED panels, Mo-Sys StarTracker, MegaPixel VR Helios processing platform and Unreal Engine
The new issue covers everything from virtual production to MAM, MPEG-H audio, live sport production and plans to inspire the next generation of engineers
Unreal Engine has now been used on over 425 film and TV productions, and is integrated into over 300 virtual production stages worldwide
Studio City Norway intends to build a full-service film and TV studio complex on the outskirts of Oslo, which they hope will be amongst...
Both new hires will be learning on the job as part of dock10’s virtual studio team, building up the skills and relationships to succeed...
UK researchers are being called on to develop new technologies to reimagine screen and performance and help to ensure the future prosperity of the...
Francis Ford Coppola will use both traditional and virtual production for his latest film, Megalopolis
Pixotope said the new partnerships reflect the increased global demand for high-level, virtual production technology
The 57,000 sq ft building will include two large-scale virtual production stages with in-camera visual effects stage, a motion capture stage, a 3D scanning...
The ITV series has employed virtual production for a special rooftop sequence set to air this week
The virtual production stage will house 60 Vicon Vero cameras plus Shōgun software, enabling performance capture and live camera tracking for in-camera visual effects
MR Factory will gain access to Mo-Sys' technology stack, as well as contributing directly to Mo-Sys’ product development and innovation programmes
The company, which works across CGI, video production, 2D and 3D scanning, and photogrammetry, is enabling clients to opt into its sustainability scheme
Courses on offer include a broad and general understanding of the virtual production pipeline from render node to screen; and another covering LED systems...
The combined FLEX/SMODE xR solution works as an additional server on top of the existing Unreal/nDisplay set-up
Final Pixel's Michael McKenna lays out the seven ways to reduce the impact of TV and film production on the environment
StarTracker Max has been built for broadcast and cinematic use, while the Mini is aimed at YouTubers, streamers and creative industries who are trying...
Zero Density's Menaf Seçilmiş got his start in the media tech industry while interning at the company as a student. Now he helps build...
The Introductory Guide to Virtual Studios provides information on green screen, virtual studios - including virtual flying cameras, LED walls, and teleportation
Ncam's AR Suite connects real-time tracking data to Unreal Engine, enabling film, TV and broadcast companies to deliver photorealistic virtual productions and AR content
With Disney Plus' Obi-Wan Kenobi set to debut tomorrow, TVBEurope finds out how ILM's virtual production StageCraft technology is helping bring locations from Tatooine...
disguise intends to build capability to offer virtual production workflows custom-designed for the metaverse
Mo-Sys Engineering has signed a distribution partnership with South Korean dealer GMS International. The agreement will help to meet growing demand for virtual production...
The non-exclusive agreement will see DNEG provide premium VFX services for Netflix across domestic and international markets
V-Studios will be powered by the disguise Extended Reality (xR) workflow, featuring Absen’s 10m x 5m LED wall
TVBEurope talks to Pixomondo's Alex Webster about the company's plans for London, why producers are still not sure about virtual production, and why technology...
The MARS Volume studio is powered by three Tessera SX40 4K LED processors and multiple Tessera XD 10G data distribution units from Brompton Technology...
James Codling tells TVBEurope how he was inspired to move into working in virtual production after watching The Mandalorian
Unreal Connectors is a new skill-building training programme which will be available in the UK, Spain, Germany, Italy, the US and Canada
Solution leverages lighthouse tracking technology, VIVE Mars CamTrack lets actors "jump into" any number of virtual backdrops in real-time during production
Company announced updates for Hawk-Eye, a number of its cameras, and virtual production technologies
Company has acquired Cologne-based TrackMen, which offers a range of real-time 3D camera and talent tracking solutions
The show's producers used the 25.5 x 5m curved screen at MARS' London facility to recreate the background
TVBEurope takes flight in our April/May 2022 issue, as we speak to the entrepreneurs who are hoping to launch a TV and film studio...
New services will be spearheaded by PXO’s UK head of studio Alex Webster and previs supervisor Matt Perrin
The upgrade to the company's cinematic content server for LED volumes and virtual production will be shown at the 2022 NAB Show
New and Emerging Technology runs across four, two-week sprints, and aims to expose students to iterative workflows and key elements of virtual production