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Adopting open standards, the solution aims to provide workflow standardisation, allowing for automation and other innovations across a diverse range of markets
The "AI issue" takes a look at how AI is reshaping broadcasting, including areas such as sports commentary and archiving and storage, plus we...
The teams behind House of the Dragon, Masters of the Air, Silo and The Lord of the Rings: The Rings of Power will compete...
Jellyfish Pictures, which has offices in London and Sheffield, said it has been "battling hard in the face of strong headwinds" over the last...
Slapshot aims to make VFX available for a range of users including independent editors, colourists, content creators and established visual effects companies
The company's administrators said "the economic headwinds which are affecting companies right across the creative industries have proved too challenging to overcome"
Technicolor Creative Studios UK Limited is expected to file for administration today
The annual awards celebrate global visual effects artists across a wide range of disciplines
In total, Edward Berger's Conclave received the most nominations and is up for 12 BAFTA Film Awards, followed by Emilia Perez and The Brutalist...
UNIT VFX supervisor Nuno Pereira tells TVBEurope about the work that went into creating an emotive CG gorilla called El Niño
Craig Wentworth, overall VFX supervisor at Scanline VFX, tells TVBEurope how the spectacular sights and sounds of Formula 1 in the '80s and '90s...
VFX house Lux Aeterna used wave height data from the National Oceanic & Atmospheric Administration for National Geographic's documentary about the 2004 tsunami
According to co-director Nick Park, the production team "embraced technology" to help create the iconic duo's latest adventure
Trusted Partner Network president Terri Davies talks to TVBEurope about the importance of collaboration and certification in ensuring security in the media industry
The advert was worked on by Rodeo FX's teams in Montreal and Paris
Jon Mason from VFX talent agency Hotspring, tells TVBEurope why the visual effects industry is a perfect blend of art and technology, allowing for...
Simon Percy from Little Shadow talks to TVBEurope about how the animation studio used a mobile virtual production setup to create a VFX shark...
The team at Milk had to create and deliver the VFX and environment work for the royal residences featured in the drama from scratch
Vine FX blends practical and CGI elements for ITV's After the Flood, crafting immersive world-building crucial to the post-disaster thriller's authenticity, writes Robert Shepherd
The speakers will discuss why there are so few women in senior roles, juggling parenthood with a career, LGBTQ+ representation and inclusion, financial literacy,...
According to UK Screen Alliance estimates, the tax relief changes are likely to stimulate an additional £175 million of VFX work to be performed...
Godzilla Minus One director Takashi Yamazaki explains how Maxon's ZBrush helped create the look of the iconic monster's latest big screen outing
The March issue focuses on the on-going move to sustainability in the media technology industry, goes behind the scenes of The Traitors, and discovers...
The film is from writer-director Mark Gill and was shot in Tokyo, Japan in October 2023. It chronicles the life of Japanese photographer Masahisa...
Oppenheimer dominated the night, picking up seven BAFTAs across all categories
The studio's first major project will involve bringing to life prehistoric creatures and environments with high-end VFX for NBC series Surviving Earth
VFX supervisor Dan May tells TVBEurope about the challenge of previsualising the VFX featured in the Doctor Who 60th anniversary special
The studio collaborates with all of Rodeo FX's 900 international artists on productions such as Zack Snyder's Rebel Moon and Monarch: Legacy of Monster...
Robert Shepherd meets Vinay Chuphal, VFX supervisor on Indian hit Jaane Jaan, who explains how the team at FutureWorks crafted this record-breaking film
The SCENESIS Pictures office includes a CG / VFX open plan area, grading suites, flexi suite, and viewing area
Painting Practice served as the project's digital art department, delivering concept design, hybrid virtual production previz, post viz, motion graphics and VFX design and...
VFX supervisor Henry Badgett discusses how the company created 126 VFX shots for sequences involving Napoleon’s 1793 Siege of Toulon and his violent suppression...
The project aimed to take pre-visualisations created by Painting Practice in Unreal Engine onto set with the real camera
ACCESS:VFX founder Simon Devereux looks at the drive towards diversity and inclusion in the visual effects industry, and how the industry is becoming democratised...
Organisations including the UK Screen Alliance, British Film Commission, BFI and Bectu have reacted to Jeremy Hunt's plan to provide more additional tax relief...
With statistics suggesting half of women will leave tech-based businesses by age 35, UpliftHER aims to help women elevate their careers by learning together,...
Writing exclusively for TVBEurope, Moonraker VFX’s creative director, Graham Stott, provides commentary on a scene from the BBC’s five part Earth series, for which...
Sean Baker, managing director at ERA Ltd, explains why media production companies must find faster, more efficient hardware and software systems to support flexible...
The team at VFX studio Lux Aeterna was behind the visuals on the glossy BBC Studios documentary series Ancient Powers. The battle was telling...
Framestore's chief creative officer Timothy Webber discusses some of the ways Generative AI is already impacting production workflows
How the visual effects team at Lux Aeterna used subtle 3D lighting, dust effects, and precise compositions to establish the new visual style of...
Laura Usaite, VFX lead on No Escape, tells Robert Shepherd about the intricate process of breathing life and vitality into the Paramount+ tropical thriller